Alternate Best Supporting 1980: Scott Wilson in The Ninth Configuration and Updated Results

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Scott Wilson did not receive an Oscar nomination, despite being nominated for a Golden Globe, for portraying Capt. Billy Cutshaw in The Ninth Configuration. 

The Ninth Configuration is a very off-beat, though intriguing if messy, film by Exorcist novelist William Peter Blatty about a military psychiatric hospital.

The reliable Scott Wilson portrays one of the main men in the asylum Captain Billy Cutshaw, who actually is a minor character in the Exorcist, a former astronaut who seemed to go insane just before a moon launch. The film is largely made by the cast of the men of the hospital, even if very briefly, they all have a great deal of character to them either in bits of comedy, in Jason Miller's Shakespeare loving patient, or more dramatically inclined. That is the case for Wilson's performance here that is rather fascinating in his portrayal of Cutshaw a man seemingly inflicted by an unknown. We see the moment of true mania, via flashback, which Wilson delivers as the vicious bit of intensity needed for the man's failure of seeming to understand reality. It is a freakout within himself in that moment. The rest of his performance is as intense if far less overt as Wilson effectively establishes a man who seemingly has lived with this state for awhile. This as we open the film in a moment contemplation as the new resident CO Vincent Kane (Stacy Keach) is coming to the hospital. Wilson's performance is remarkable in the moment of the man just within his room. This as his eyes are looking up towards something, and there is a sense of the weight the man suffers within his current existence. Wilson powerfully suggesting that what ails Cutshaw is beyond a minor deficiency. 

Wilson's performance conveys a near constant anxiety even when he is with the other mentally unstable man in the act of openly mocking the institute. This as Wilson even in a way plays the "mad man" his eyes suggest the greater paranoia of the man. There is a haunting quality within Wilson's work even when Cutshaw seems to be attempting to disregard any notion. Wilson is terrific though in the man more so in the state of trying to prod those who are seemingly trying to help him. Wilson's performance captures this as this kind of attack against the notion even as his performance borders on the comical. Wilson dances on the line impeccably well though as this kind of sense of the man trying to fulfill a role in this attack. A kind of defense mechanism he depicts in these moments while his eyes seem to tell the truth of Cutshaw consistently. The mockery is something that hides whenever there are words that seem to speak towards his painful contemplation. Wilson brings a remarkable energy within the man's reactions that are both outgoing yet introverted. There is a combination that crafts the sides of the man. The outgoing in those mocking defense, meanwhile he physically tightens when the man's mind seems to fall upon his real anxiety, that being his failed mission and its implications. 

Every one of Wilson's scenes work on the level of Wilson's own portrayal of the insanity of his character. This through his rambling speeches Wilson makes sing in their own way as they are both this hostile act of hate, but also this cry for help. These as Wilson's wields away from mocking and more so towards the intense connect towards his contemplation on the nature of God. This as Kane seems to slowly come closer to understanding the man and the mocking eases away. This leading to just an amazing monologue by Wilson as Cutshaw admits that he wouldn't go to the moon due to fear of nothingness. Wilson's performance in the moment is incredible. This as he so quietly yet so intensely shows the real sense of a existential speaks of the loneliness of space. Wilson speaks while looking up and his eyes capture such a painful sense of the man's terrible anxieties that are nearly petrifying him in the moment. Every word is spoken so quietly yet so powerfully in Wilson's delivery that exhibits this difficulty in speaking the words, that evoke so well that penetrating doubt in the man. Wilson's performance in the scene though is really so special by the sense of connection seemingly as he speaks to Kane. There is faint hint of warmth in the interactions now, a tenderness even as Scott instead projects an empathy and understanding towards Kane. I'll say while the Kane story-line didn't entirely work for me, within there is something notable due to Wilson's work. This as his ending work in presenting Cutshaw rediscovering his sanity by rediscovering his faith, is truly poignant. This really just through Wilson's silent work, and in his silent reactions though Wilson wholly conveys the anxiety leaving the man and a sense of heart-wrenching joy that acknowledges both the joy of the discovery but also a sense of sacrifice in this realization.

Updated Overall

 

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