Alternate Best Supporting Actor 1942: Cecil Kellaway in I Married a Witch, Jules Berry in The Devil's Envoys & Results

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Cecil Kellaway did not receive an Oscar nomination for portraying Daniel in I Married a Witch. 

 

Jules Berry did not receive an Oscar nomination for portraying the Devil in The Devil's Envoys. 

I Married a Witch a fairly enjoyable screwball comedy about the descendant of an old witch persecutor (Fredric March) cursed by a witch to fail in love, however things get in a bit of knot when the witch (Veronica Lake) escapes from her imprisonment and falls in love with the man. 

 

The Devil's Envoys is a splendid fantasy about two servants of the devil, tasked with seduction and then destruction, infiltrating the court of a castle.

Cecil Kellaway is a character best known really for his warm and affable characters, as found in his two Oscar nominations for example. This though is a far cry from that, and more evocative of his career best turn found in his guest spot on The Twilight Zone as a most unusual curator of sorts. Kellaway's performance here is as Lake's warlock father who we initially meet, along with Lake, as a disembodied voice. Kellaway's vocal performance alone is memorable in the sheer degree of the deviousness of it as he encourages Lake's Jennifer to essentially be her worst self. Kellaway playing this with a wonderful, and fitting devilishness within the character, and finds the right combination between the comical and the sinister. Kellaway really is the essential ingredient within the film as his consistent appearances take what is an enjoyable romantic comedy and really turning up the latter nicely. I mention these two performances in tandem though as much as the films are different, they are in some way companion pieces about supernatural "creatures" engaging in romance even though the intention is the opposite. As Kellaway is the wrench in the romantic clockwork, as is Jules Berry, who is the titular devil. Where first we establish each romantic pairing or triangle, that involves misleading and maybe some genuine love, this is turned on its head when the actual devil appears to mess things up for all. Berry's performance is one of literal devilishness. He comes in with the right fanfare of someone just loving his state as the prince of darkness and of all lies. Berry shows just the greatest of joys in this state of the man just eager to make all the lovers suffer in any way in which he devise. His expression only brimming with this sinister glee, similar to Kellaway in bringing this sense of fun within the nefarious nature of the character. 

As the romance goes along for both film these two act as the antagonists at any path that leads towards some sort of true love, though in very different ways. Berry's performance is one actually that is of a shift towards the more dramatic as the devil foresees a certain plan and has a distaste when it starts to go away from his chosen path. Berry bringing this quiet egotistical pompousness to the devil's assurance that all will be left unhappy and in his own words "belong to him". There is a certainty of the fiend, however he effectively brings a certain annoyed demeanor as the plan isn't quite going to plan. He still brings this confidence as though it is something that he's seen before and will again, and in that sense is sure, while still creating this slowly growing undercurrent of cause of concern that everything isn't in his power. Kellaway on the other hand is just whole lot of fun in portraying Daniel ever trying to be fiendish and keep anyone from falling in love as well, though his methods decidedly less suave or confident than the devil's. Kellaway is a hoot in portraying the sort of mania in Daniel as he goes about his schemes with this sort of craziness that is befitting a creature of a truly chaotic disposition. Kellaway is just fun to watch whether he's incompetently framing March's character for his own murder, or trying to drive the lovers to their doom. There is just this hilarious sort of insanity he brings to every line though with the right demonic glee of his own. Kellaway's performance brings the right extra ingredient overall to the film that really takes it up a notch overall by providing not just a proper antagonist, but also such a source of fun. Of course this is true for both performances which provide this nice swerve in both film's romantic narratives. Each giving their own memorable turns as sinners with a smile.

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